Livro de Todo o Universo (Chopped and Screwed). Performance by Cecilia Eliceche at the corrector’s room of the Plantin-Moretus Museum, Antwerp (2015) Sound Design:Christophe Albertijn.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
The Chorus i (2022), Hand Blown glass, dimensions variable
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Zero Latitude (2014). Video, colour, silent, 09:30’’
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Insufflate (2016). Dalmation jasper, copper and tengu paper 1.6 g/m². Dimensions variable. Photo: Michael Pfisterer.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.
Zero Latitude (2014), view from the exhibition Entends-tu ce que je vois? Do you See What I hear? Presented atDazibao, Montreal from 29 March—2 June 2018. Photo: Marilou Crispin.
Bianca Baldi (South Africa, 1985) lives and works in Brussels.
In her work she deals with the role of narrative as a means of knowledge production in both fictional and historical contexts. She is interested in the staging of identity and history and looks at these themes in photography, film, writing and publishing, which she often combines in the exhibition format as installations.